James Cameron ’s keeping his options open , according to his longtime producer Jon Landau : He may not direct an Avatar sequel or Battle Angel next . Landau also explain to us how Cameron might do underwater motion - capture for Avatar 2 ’s ocean scenes .
We were lucky enough to get several minutes on the phone with Landau , who ’s doing interviews in funding of the novel Avatar DVD and Blu - Ray outlet , come out today . And Landau , who ’s produce several of Cameron ’s films , enounce that the manager is still sample to prefer among a few different undertaking for his next film . He might tackle Avatar , he might harness Battle Angel , or he might climb up on “ some third , as yet unnamed project , ” says Landau .
There are two main factors that will go into Cameron ’s decision - puddle matrix on whether to do Avatar 2 next , according to Landau :
1 ) Cameron and Landau will sit around down with Fox and see if they can “ shape out a common ism on the next plastic film . ”
2 ) Which film projection Cameron feels has the best script . Landau retell the thing he ’s said a few times before : James Cameron has only made two subsequence in his career ( not calculate Piranha 2 ) and in both case , they were as good as the original , if not an improvement . He wo n’t do an Avatar sequel unless the same matter is true . So he ’ll only venture into product on an Avatar continuation if he feel strongly that the script is first-class enough .
Cameron , of course , will be publish the playscript for the Avatar subsequence . But he already has a book in script for the adaptation of Yukito Kishiro ’s Battle Angel Alita anime series , co - written by himself and Shutter Island writer Laeta Kalogridis . But Kalogridis also wrote another book for Cameron , The Dive , a non - science fiction task about two real - biography free plunger , Francisco Ferreras and Audrey Mestre . It ’s “ a love Triangulum between Audrey , Francisco and the ocean , and ultimately the ocean took Audrey ’s liveliness , ” read Landau .
But it ’s also a clear-cut possibility that Cameron might decide to direct another , as yet unknown , skill fiction labor next , instead of any of those three films .
Fantastic Voyage :
Lev Davidovich Landau and Cameron are also on board to bring forth a newfangled Fantastic Voyage movie , with Paul Greengrass in talk to direct . As with the 1966 movie , it would involve a scientist flinch five of his colleagues and interpose them into his own organic structure to cure his potentially fatal brain shape . Cameron has say he ’s eager to utilize the mental imagery that new medical scans give us to present a cooler feeling inside the human body .
We asked Landau where that stands , and he says :
First and foremost , it ’s not a remake . It ’s a new story determine in that mankind . It ’s a story that deal with the issues of today , the issues of individual freedom and right and all of those things . And paul is not officially on board yet , but we ’re sure in conversation with him , and hopefully all of that will work out . We ’ve had an artistic creation section on , already working and doing inquiry and pulling together some incredible visuals . And I think that ’s the really exciting affair about this . unfeignedly , the outstanding wonder of them all , more so than female parent nature on the outside , is the miracle of aliveness on the inside . And I recollect we ’re get hold some very exciting ways to depict that .
apparent motion capture underwater
So since Cameron has been say the Avatar sequel will explore the ocean of Pandora , we were wondering how incisively he could utilise motion - seizure for swimming sequences . Sam Worthington has said that doing mo - jacket for float in the first movie was a incubus , because he basically had to light on a chair and make swim motions . ( Since the movement - gaining control rig could n’t get stiff . ) So if a lot of your action pack place in the water with the Na’vi , how do you shoot that ?
Landau responds :
Well , I remember we could put multitude in the water , and capture it in the water . We just did n’t need to do that with this one . I think you add up up with a different technology [ for capturing motion in the water ] . I mean , there are ways to do it where it ’s image recognition on the [ actor ’s ] soundbox . I think what we did on this movie is we depend at what the script called for , and we fall up with solutions for those . And we ’ll do the same thing on the next celluloid . And look — the answer might not be [ to appropriate motion ] underwater , but we ’ll come up with something that figure out .
How to avoid give sequels and reboots ?
Avatar is one of the few big scientific discipline fiction movies in the past decade that ’s not a remaking or sequel to an live property . How does somebody go about getting a non - franchise movie into output , without being James Cameron with a cosmic string of hits behind you ? We asked Landau , and he articulate :
turn one , it ’s about having a effective script — a write up that build sense . [ Also ] , not every science fiction pic necessitate to be on an epic scale . Those thing do n’t necessarily go together . you may have small - shell scifi that works . I guess a keen example of that is District 9 , and where there ’s a will there ’s a way . I think it come back to account and character concepts , and what is the journey you take your fiber on ? I desire more the great unwashed do it , because what science fiction offer is the power to be a metaphor for the world we live in .
Lev Davidovich Landau , of form , was a producer on Solaris , the 2002 moving picture directed by Steven Soderbergh and starring George Clooney — which was a remaking , but was also an illustration of this case of small-scale - scale , more thoughtful picture . And he enounce this proves his point . “ As long as you do something on the correct budget scale for its potency , you may get those flick made . We made Solaris very inexpensively . George Clooney and Steven Soderbergh work way below their going rate on the film , to get that movie made . ”
The popularity of Avatar .
Now that the picture show ’s coming out on DVD , the flood of fan remixes and tribute video and bizarre screencap parodies can set about . And Landau says he ca n’t wait to see what multitude come up with . He ’s already been thrilled by how people have squeeze the movie , all around the world . masses will approach him and declare oneself to send him pictures of their children couch on Na’vi plays , and he ’s heard about a high school that put on Avatar Day in Florida .
And he feel as though the profoundness of the picture ’s world and its lived - in quality serve hoi polloi to become indue in it . “ We were doing an original science fable fantasy world that had a foundation under it . We were n’t just coming in there and saying , ‘ Here ’s a creature and here ’s a planing machine . We do n’t really jazz how it flies , but it does . ' ”
Designers like fomite designer TyRuben Ellingson ( whom we question here ) made sure every single fomite was actually plausible and could really fly . And creature designers like Neville Page ( whom we interviewed here ) concoct a whole believable ecosystem . For example , Page was working on the Hellfire wasp , an insect that we only glimpse concisely in the film being eaten by a Direhorse . And he thread some concept artistic production of five Hellfire wasps resting on a tree diagram , with the five of them join together to form a star - shaped disguise . “ This was not something we expect him to do . This was something that he just take the go-ahead to do . ”
https://gizmodo.com/avatars-designers-speak-floating-mountains-amp-suits-5444960
https://gizmodo.com/5-designers-reveal-secrets-of-james-camerons-avatar-5420143
And he enjoin Avatar rise that you may use science fable to talk about environmental base without sour off looker — as long as you do n’t preach . “ It ’s not overt . There ’s no minute where somebody says , ‘ Here ’s the facts about the surroundings . Here ’s the facts about world-wide warming . ’ leave behind that to An Inconvenient Truth , ” says Landau . “ This is storytelling . Jake Sully goes on a journeying of discovery , where he opt his path . All we are asking people to do is to open their eyes . We ’re not evidence them how to think . We ’re letting them come to their own ending . ”
Cameron ’s love of difficulty :
James Cameron faced a band of challenge making his early cinema , from budget issues on The Terminator torebellious studio apartment workerson Aliens . Now he ’s in a place where he can do whatever he want , with whatever resources he needs — but he still produce Brobdingnagian challenges for himself , from the underwater filming of The Abyss to the technical challenge of Avatar .
http://io9.com/5433164/the-epic-movie+making-adventures-of-james-cameron
So why does Cameron like to make thing hard for himself ? Landau excuse :
Look , I think Jim is the consummate definition of an explorer – that person who always require to be going to the next frontier and he does it both in his art and his lifespan , where he goes down and dive into the thermal vents of the sea . He does it in his art , when he presses the applied science forward and everything . That ’s who Jim is , and he needs that to fly high .
Avatar is out on DVD and Blu - Ray today .
AliensAvatarAvatar 2fantastic voyageJon LandauTerminatorTerminator 2
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